I have E-mailed Jamie Oliver at the London Sea Life Centre after visiting at the weekend. This is to organise dates for filming and his participation in a filmed interview for the video.
Dear Jamie Oliver,
My name is Henry Cramer-Todd and I am a student at Tunbridge Wells Grammar School for Boys and am currently studying A2 level Graphics, Media studies and Business studies. In the future I hope to become a film producer after studying at university. I have been a marine hobbyist for many years and have a reef tank of my own.
I am also currently working towards an EPQ qualification in which I have chosen to specialise in making an informative video about one of the reef tanks at the London Sea Life centre. This will be produced onto DVD format before being placed as an insert into the Marine Habitat magazine for Aquarian hobbyist.
I have undergone extensive research into critical theories and documentary filing as well as drawing upon my personal knowledge of marine species to create a plan for the video. The video will roughly be split into three sections relating to information on LPS, SPS, soft corals and invertebrate in one section whilst the other two are based upon the fish and technical elements to the tank.
I am wondering if you would be willing to participate in a filmed interview at some point between the 21st of October and the 11th of November to talk about the keeping and maintenance of the tank as well as its set up in terms of chemical dosage and lighting. I would also be filming the tank on the same day for the other sections of the video and would greatly appreciate a response.
If you are unavailable or do not want to participate in my project, I would be thankful if you were able you to put me in contact with another member of staff who would feel comfortable helping.
Thank you for taking this into consideration.
Yours Sincerely,
Henry Cramer-Todd
Thursday, 18 October 2012
Thursday, 11 October 2012
Update (treatment and gantt chart)
Treatment:
This is an nformation video starting with an establishing shot of the Sea Life Aquarium exterior. This is then followed by several more establishing shots of display tanks inside the aquarium.This includes shots from the turtle displays, shark enclosures and freshwater fish tanks to give variation and to show the wide veriety of species that are available in the aquarium. The entire video is overlayed upon a cool soothing soundtrack to replicate the smooth motion of the fish. A female voice over will begin explaining the London Sea Life centres background and scale.
The next part of the video will include a voice transition where the interview with Matt Haworth begins. His voice will be overlayed upon the main fish footage before cutting to the visuals of him. His name will appear to animate itself in the bottom right hand corner of the frame 'Matt Haworth - Coral Section Head'. These visuals are of him explaining his postition at the sea life aquarium and how he got to where he is now. He will be talking for about 4-5 minutes about the various tanks in the aquarium and the set up and up-keep of the red sea tank specifically. The video is static with Matt placed on the left hand side of the rule of thirds. The lighting is dark but brighter on Matts body and face to give him importance. This video will be intercutting with a more mobile camera to the right side to give variation.
This treatment was approved by my supervisor and now I can begin to plan the practical side of the filming process.
Thursday, 4 October 2012
Premier Pro CS5.5
For my video i will need to accumilate my footage into one piece of software and edit them together. I have past experience with Premier Pro CS5.5 and therefor am going to use this software when editing the clips. This software is complicated however is perfect for putting footage together and adding visual and audio effects/transitions. I have used this software before to create videos for my Media Studies projects and have had great success however it has been some time. I have looked on You Tube for tutorials on the basics of Premier to brush up on my skills. This video allows the audience to create a composition all the way to exporting in the correct format. I have learned a number of skills i hadnt before known through the entire length of the video. He covers the following areas.
Overview of Interface
Settings Setup
Keyboard Shortcuts
Sequence Setup
Importing Footage
Tools Overview
Applying Effects and Transitions
Creating Titles
Creation of Color Mattes
Overview of Exporting
This video is fully explained and shows exactly what is being explained. I was able to find all of the tools explained in the video and due to the large number of positive reviews i believe this is a credible video as it has helped me further my undersanding of the software.
Overview of Interface
Settings Setup
Keyboard Shortcuts
Sequence Setup
Importing Footage
Tools Overview
Applying Effects and Transitions
Creating Titles
Creation of Color Mattes
Overview of Exporting
This video is fully explained and shows exactly what is being explained. I was able to find all of the tools explained in the video and due to the large number of positive reviews i believe this is a credible video as it has helped me further my undersanding of the software.
Technical Analysis
In order to create a documentry video i will need to analyse the common conventions of this type of film making ad therefore i have decided to use a technical analysis of a video shown on YouTube featuiring David Saxbys marine tank.
This technical analysis pointed out a number of things that i can use within my final video.
Shot
Number
|
Duration
|
Camera
|
Mise-en-scene
|
1
|
4
|
Static, Low angle. Flat lens zoom.
Medium Close-up
|
Colourful fish swimming around, lots of
motion. Mellow, methodical electronic sound track in the background.
|
2
|
3
|
Static Flat lens zoom
|
Very vibrant colours, lots of motion.
Same sound track
|
3
|
5
|
Low angle, Mid shot. Wide angle with
small pan from right to left following subject. Subject on right third
|
Fish swimming with subject in plain
clothes covering the tank. Voice over begins with David Saxby – the subject
talking about the tank.
|
4
|
3
|
Pan from top to bottom of the frame,
Medium close up.
|
Fish swimming. Specifically follow the
path of a yellow tang. Voice over continues
|
5
|
6
|
Static medium close up with subject on left
third.
|
David shown in the centre/ left third
of the frame with tank in the background.
|
6
|
7
|
Pan from right to left, medium shot.
|
Contents of tank showed swimming in the
pan.
|
7
|
4
|
Mid close up, static shot with main
subject (coral) in the centre of the frame.
|
Blue coral contrasting white sand and
blue/ green trigger swimming from left to right.
|
8
|
4
|
Static medium close up with subject on left
third.
|
David shown in the centre/ left third
of the frame with tank in the background.
|
9
|
7
|
Low angle pan from top to bottom,
medium close up.
|
Fish swimming to a pan down to closer
corals, almost a rack focus.
|
10
|
9
|
Pan from bottom right to top left, mid
close up.
|
|
11
|
7
|
Static medium close up with subject on left
third
|
David shown in the centre/ left third
of the frame with tank in the background.
|
12
|
9
|
Worms eye view pan from right to left
mid close up.
|
Corals and fish, fish in top half,
corals in other.
|
13
|
3
|
Close up pan left to right, main
subject in focus on left third.
|
Cardinals in shot, mixture of colours.
|
14
|
7
|
Static close up with subject in centre
of frame
|
David shown in the centre/ left third
of the frame with tank in the background.
|
15
|
6
|
Handicam high angle close up.
|
Goldfish showing a completely different
side to video. In freshwater.
|
This technical analysis pointed out a number of things that i can use within my final video.
- The cutting rate is often varied and gives an even feel to the pace of the video.
- Intercutting between the video of the interview and the B roll of the tank is very effective.
- Voice overlappping onto B roll video was proffessional and looked and sounded great.
- The same shot of the David Saxby used when interviewed throughout the video gave a constant. Something that gave the video direction and a shot the the audience could view over and over.
- Variations in shots of fish kept the video exciting, repeated subjects in the frame of repeated footage would get very boring.
- The information given by the interviewee was concise and to the point meaning there was little disturbance in the inteded and trasmitted message supporting the view of sheltons communication theory.
Critial Resource Analysis
SOURCE TYPE
|
HARVARD REFERENCE
|
CREDIBILITY OF SOURCE
|
IMPACT ON YOUR RESEARCH/PROJECT
|
Book
|
Shelton, M (2004) Communicating Ideas with
Film, Video, and multimedia. Illinois: University Press.
|
This source is
relatively credible however a large proportion of the content is drawn upon
by Shelton’s own thoughts whilst the rest is from other books and authors.
|
This book provided
great critical theory concepts worth noting as well as a large impact on my
background research on information media.
|
Website
|
Marine Habitat
(2012) ‘Conservation: Background
info’www.marinehabitatmagazine.com/coral-reefs/background-info
|
This source is very
credible as it provides solid facts regarding their ethos towards
conservation and background to their company.
|
This has provided a
good selection of background information into Marine Habitats work ethos and
supports to keep in mind when drafting for my version of their cover.
|
Website
|
Terry White,
(20/8/08) ‘Magazine Cover Design in InDesign’
http://layersmagazine.com/magazine-cover-design-in-indesign.html
|
Terry White is well
renowned in the Adobe industry for design and is known as a ‘guru’ for these
reasons his teaching credible.
|
This has given me a
good understanding of how a magazines cover can be designed using Photoshop.
|
Magazine
|
Marine Habitat magazine.
Cover page (1)
|
Marine Habitat is a
well renowned marine hobbyist magazine and as I am assessing the hard copy of
the magazine for conventions it is a credible source.
|
Using this magazine
to analyse layout and techniques has given me an insight into the common
conventions of a magazine from Marine Habitat as well as text and imagery
ideas.
|
Website
|
www.marinedepot.com/md_educationcenter_species.html
|
This source has
very precise information on a wide range of species. Some of their
information may be debated in the caring of species although for my project
this source is credible enough to trust the facts provided.
|
I now have a
reliable source of information on any marine species I wish to include on my
project.
|
YouTube
|
UnravelMedia.
(2011) ‘Introduction to Premiere Pro CS5.5’ YouTube. (0:41-1:24:26/1:24:26) http://www.youtube.com/watch?v=L1sNeLJLACI [accessed 25th
September 2012]
|
Unravel Media
produce high quality informative videos that have been given strongly
positive audience reviews. For this reason this source is credible as well as
the fact that the techniques are current and were used by myself effectively
|
This has allowed me
to enhance my skills of using Premiere Pro which I can use for my final
product including text effects and colour correction.
|
YouTube
|
ExpertVillage. (2008) ‘How to Make a Documentary Film: How to Interview
for a Documentary Film’ YouTube. (0:00-2:34/2:34) http://www.youtube.com/watch?v=ZdzQHSZRd2Y
[accessed 25th September 2012]
|
Expert Village have
138,000 tutorial videos online and have always had popular view counts and
ratings. The information given makes sense and is relatively credible.
|
Viewing this has
given me a great idea of what to think about when interviewing Jamie Oliver
at the Sea Life centre.
|
YouTube
|
ExpertVillage. (2008) ‘How to Make a Documentary Film : Equipment for
Making a Documentary Film’ YouTube (0:00-2:38/2:38) http://www.youtube.com/watch?v=NN_rsJephcY
[accessed 26th September 2012]
|
Expert Village have
138,000 tutorial videos online and have always had popular view counts and
ratings. The information given makes sense and is relatively credible due to
the poo ratio of likes to dislikes.
|
By watching this
video I now have a greater idea of equipment I will be needing to consider
when both filming the tank as well as the interview.
|
YouTube
|
Lindoshop.
(2011) ‘Depth of Field and Lens effects.’ YouTube (0:00-24:05/24:05) http://www.youtube.com/watch?v=0KmnnJQ3X_k [accessed 29th September 2012]
|
Lindoshop do some
very informative technical videos on camera capabilities and how to
incorporate them, they all have high positive views and are practical
tutorials and therefor are credible.
|
I found this useful
as despite being aimed towards photography the focus information is essential
for this type of filmic design.
|
YouTube
|
Polcan99. (2011) ‘Documentary
Filming Tips & Tricks: Camera Equipment - Filmmaking Tutorial 18’ YouTube
(0:00-9:57/9:57) http://www.youtube.com/watch?v=_8sr1CswWcE [accessed 30th
September 2012]
|
The view count is
very high and the ratings are largely positive meaning the information in this
video is relatively reliable. Also the information is practically shown and
therefor solid fact.
|
This video has been
useful in terms of what to include on a shoot to a location far away.
|
YouTube
|
PetStreetFilms.
(2008) ‘The best coral reef aquarium in England.mov’ YouTube (0:00-3:14/3:14)
http://www.youtube.com/watch?v=cmlx4Qi6SlM [accessed 30th
October 2012]
|
The information I
have gained form this sources is very credible as it is solid facts about
video making and not personal opinion.
|
This has been very
useful to analyse as I have gained a greater understanding of how to plan out
a video about a marine fish tank with regard to video and audio intercutting
etc.
|
Leaflet
|
Karen Johnson
(2011) Advanced Portfolio: Unit G324 A2 Media Studies: Tunbridge Wells
Grammar School for Boys media department.
|
Quite a credible
source of information as the author is an A level teacher. If I were to
question any part of the source I could always ask the author as she is a
teacher at my school. Although the text is based around construction of music
videos I could use the fundamental principals and gear it towards documentary
filming, although this does impact the credibility.
|
Important source
proving information toward how to go about completing a technical analysis of
a video to understand the construction of these texts.
|
Leaflet
|
Karen Johnson
(2009) Unit G324 Advanced Portfolio and Unit G325 Critical Perspectives Q1a
& b: Theoretical Concepts Reading Booklet: Tunbridge Wells Grammar School
for Boys media Department.
|
Extracts are used
within this leaflet from other authors. The extract I used is from Stuart
Hall who is a renowned cultural theorist, therefor the information is
reliable.
|
This provided
further reading into the communication theory I had previously looked at by a
different theorist. (Shelton, 2004)
|
Website (printed)
|
Fraser (2002) ‘Production Tips – 50 ways to improve
your practical work’ http://www.englishandmedia.co.uk/download/archive_mm/_past_archive/Production
_tips [accessed 30th October 2012]
|
This source is
largely credible as it was published on the englishandmedia website as well
as the mediamagazine, showing these sources are willing to present this
knowledge and trust it.
|
A number of the tips
ranging from 1-50 helped in every stage of production from research to
production and post. They were small things to think about in all areas that
made the project run smoother.
|
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